'One-cuts' describes Liotta's collage technique in which she cuts around the perimeter of
a selection and lifts the piece out whole from the daily newspaper, excised
as-is, with texts as attached to the image.
The project is an interaction with
the discoverable cosmic landscape as both news and poetry,
using The New York
Times/ Science Times editions just as they were publishing the Hubble and other satellite imagery in the first decade of the 21st century.
(catalog available)
The House, published in the Whitney Biennial 's Day for Night catalog, 2006
in situ:
Continental Drift, Museum of Contemporary Art, Denver 2012
